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“Cowboy?” said Bob, at once interested by the two magic words “riding range.” He had met them in many books of adventure. They brought up thoughts of bucking bronchos, fights with Indians, and all the rest of the romance of the West. That this boy of about his own age could be a cowboy was really exciting. But he missed the woolly chaps and the sombrero. The boy was simply dressed in overalls, went barefooted and wore a heavy slouch hat.,

“You bet,” Jerry said quickly. “Don’t you think he’s had enough, Boss Whitney?”,

When he came to the surface, Bob’s first sensation was one of extreme weariness. So spent was he that it was all he could do to keep himself afloat. The possibility of another shot from Miguel did not spur him to dodging in the water. If the shot was to come, it would. Bob knew that he was alive, therefore the danger which threatened the dam was over. This being the case, a great contentment came to him—what could happen to him now mattered very little.,

This satisfied the excited mob and gradually it thinned out as Whitney demanded more details from Bob.

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“Nils was so happy over the cakes. He took them home to that sick boy of his.”,

“No.” The answer was final and assured. “But I wouldn’t put it beyond a lot of the stock and cattlemen around here. They’ve been sore about the dam, with as little reason as they have on every job the Service has tackled. They always end by being a lot better off with the project finished than they ever would have been if the range had been left alone. At first they can’t help but suffer some annoyance from the building of the dam. A good part of the land which we will irrigate, while not sufficiently productive to be good farming land, raises enough natural grass to feed stock. Above the dam the stored water will form a lake that will cover thousands of acres of such pasturage, I’ll admit. But the cattlemen are so blind that this point is all that they can see. They will have the same chance to profit by the irrigated lands below. It has always worked out well in the end.”,

Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

Night at length came. He repaired to the pavilion, and secreted himself among the trees that embowered it. Many minutes had not passed, when he heard a sound of low whispering voices steal from among the trees, and footsteps approaching down the alley. He stood almost petrified with terrible sensations, and presently heard some persons enter the pavilion. The marquis now emerged from his hiding-place; a faint light issued from the building. He stole to the window, and beheld within, Maria and the Cavalier de Vincini. Fired at the sight, he drew his sword, and sprang forward. The sound of his step alarmed the cavalier, who, on perceiving the marquis, rushed by him from the pavilion, and disappeared among the woods. The marquis pursued, but could not overtake him; and he returned to the pavilion with an intention of plunging his sword in the heart of Maria, when he discovered her senseless on the ground. Pity now suspended his vengeance; he paused in agonizing gaze upon her, and returned his sword into the scabbard.